We just got back from the Boston MFA (Musem of Fine Arts) where a new Art Deco exhibit has just opened. It’s organized into three sections, roughly 30-50-20 percent respectively. The first presents various ideas and styles that influenced art deco – everything from Classical Greek and Egyptian, through African and Meso-american patterns and colours, to Russian ballet costumes.
The second section is art deco proper: the tsunami of styles – individual yet linked – that were launched on the world at the 1925 Paris Exhibition. I felt that the organizers of this show cast their net a little wider than I would have done. Man Ray’s Electricity, while brilliant, doesn’t feel as though it has anything to do with art deco. Nor do the wonderful miniatures (postcards, really) of Josephine Baker; not everything in Paris in the 1920s qualified as art deco. But enough quibbling: overall, this section was superb. My favourite piece was Tamara de Lempicka’s stunning nude La Bella Raphaela (shown above; click for full size). The scanned image doesn’t do justice to the work, particularly the breathtakingly sumptuous reds of her lips and the cloth she’s lying on.
The final section showed the impact of art deco on design in the USA. (Recall that the USA was offered a place at the original 1925 exhibition, but, as the MFA’s program notes, The USA declined to participate on the grounds that �there was no modern design in America�.) There are some gems here, illustrating especially the distinctive “streamline” twist that America introduced. And the huge boxwood model of the Rockefeller Center shows how art deco ideas were incorporated into the design of New York’s skyscrapers.
Overall, a very cool show. I bought the t-shirt.